top of page

Locus Solus Table x Jacquemus
Designed by
Gae Aulenti
Access depends on the item. If a subscription is required, you’ll be redirected to The Vault and you will need to select your subscription plan on the top menu.
Subscription Plan
Coming Soon
Style
Coming Soon, Midcentury, Postmodern
Brand
Jacquemus
Required
Base Game
Creator
Meinkatz
About this Product
The Locus Solus Table Jacquemus + Exteta special re-edition is a striking re-edition of a 1964 design by Gae Aulenti, where sculptural lightness meets playful elegance through the lens of Simon Porte Jacquemus. Defined by its slender tubular steel frame and airy glass top, the table feels almost transparent, as if its structure were drawn in space rather than built, allowing the geometry beneath to remain fully visible. The interplay of curves and lines creates a rhythmic, almost graphic composition, balancing precision with a sense of spontaneity. Both lightweight and visually impactful, it embodies the spirit of the original Locus Solus collection while introducing a softer, contemporary attitude through refined colors and a subtly Mediterranean sensibility. The result is a piece that transforms outdoor dining into a scene of effortless sophistication, where design becomes both structure and atmosphere.

About the Designer
Gae Aulenti
Gae Aulenti was an Italian architect and designer whose work played a significant role in shaping postwar Italian design and architecture. Emerging in the 1950s within the vibrant cultural landscape of Milan, she developed a multidisciplinary practice that moved fluidly between architecture, interior design, furniture, and lighting. Aulenti believed in the expressive potential of objects and spaces, often blending historical references with modern materials to create designs that felt both timeless and grounded in their environment. Her work reflects a strong architectural sensibility, where form, structure, and atmosphere are carefully balanced to produce spaces and objects with lasting presence. Throughout her career, she collaborated with major Italian design manufacturers and created several iconic pieces, most famously the Pipistrello lamp for Martinelli Luce in 1965, a design celebrated for its sculptural base and distinctive batwing-shaped diffuser. Beyond product design, Aulenti became internationally recognized for her architectural and exhibition projects, including the transformation of the former Gare d’Orsay railway station into the Musée d’Orsay in Paris. Across furniture, lighting, and architecture, her work combines rational modernism with subtle monumentality, establishing her as one of the most influential figures in twentieth-century Italian design.
More in this style
bottom of page








