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Pilastro Stool

Designed by 

Ettore Sottsass

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Subscription Plan

Coming Soon

Style

Postmodern, Coming Soon

Brand

Kartell

Required

Base Game

Creator

Meinkatz

About this Product

The Pilastro stool, designed by Ettore Sottsass for Kartell, is a sculptural object inspired by the form of a classical architectural column. Originally conceived in 2004 and later produced in 2015 as part of the Kartell goes Sottsass – A Tribute to Memphis collection, the piece reflects Sottsass’s characteristic postmodern design language. Made from mass-colored thermoplastic technopolymer, the cylindrical form is defined by vertical grooves that emphasize its pillar-like structure while giving the object a strong graphic presence. Both functional and decorative, the Pilastro can serve as a stool or side table, embodying the bold geometry, vivid color, and playful architectural references associated with the Memphis movement.

About the Designer

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Ettore Sottsass

Ettore Sottsass was an Italian architect and designer. His work included furniture, jewelry, glass, lighting, home and office objects, as well as many buildings and interiors. He grew up in Turin and graduated in Architecture from the Politecnico di Torino in 1939. In 1947, in Milan, he founded his architecture and industrial design studio, where he began to create work using various media. In 1956, Sottsass went to New York and began to work in George Nelson’s design studio. Back in Italy, he established major collaboration projects with Poltronova (1957) and Olivetti (1958). From the late ’60s and throughout the ’70s he collaborated with Superstudio and Archizoom Associati, within the Radical movement, until the foundation of Memphis Group in 1981, of which he was a founding member. In the mid-’80s, with Sottsass Associati, mainly an architecture studio, he also designed elaborate shops and showrooms, company identities, exhibitions, interiors, Japanese consumer electronics, and furniture of all kinds. Ettore Sottsass was presented numerous international awards, winning the ADI Compasso d’Oro in 1959. His work is on show in the permanent collections of many museums around the world such as the Metropolitan Museum of Art in New York, the Centre G. Pompidou in Paris, and the Victoria & Albert Museum in London

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